• Home
    • Our Service
    • How we can help you
    • Testimonials
    • Our Editors
    • Journal
    • Recommends
    • Contact us
enter-our-caption-writing-competition
divider

how-i-write
the-criticess
the-blank-page

Welcome to home of The Fine Line Editorial Consultancy

The Fine Line is an Edinburgh-based Editorial Consultancy, committed to helping new, burgeoning, and established writers realise their literary potential. Our aim is to inspire and assist. We provide advice to get you started, lessons to download, insights into the methods of working writers, and an editorial service designed for your individual needs.

article_header

I Don’t Want to Make This Comic

Section: How I Write

I am a lazy artist. I get some silly/brilliant/stupid idea for a script and get really excited. Epiphany! Light bulb! Yes­ — this comic about a dead moth I saw must be drawn! The world simply must have it. Moaning and whining and procrastinating, however, quickly follow this bolt of inspiration. I want to sit [...]


The Meditative Mood

Section: How I Write

The ideal writing day for me begins when I wake up naturally at eight o’clock. While I sip on a large cup of coffee I stare into space.
This hour sets the tone for the day.
About nine I eat some protein, cheese toast maybe. From nine to ten I go to the computer or, more often [...]


Giant Puzzle

Section: How I Write

I am a huge procrastinator unless I have a sudden inspiration that comes out of nowhere, I am in the middle of a project, or I have a routine such as a weekly column. Otherwise, I may not write a word for weeks at a time, and when I am determined to start again, it [...]


Days On A Burn

Section: How I Write

Hemingway said ‘There is nothing to writing. All you do is sit down at a typewriter and bleed.’
Well, perhaps it was easier when it was a typewriter. Now, first thing, I sit down and check my emails. Even if the obvious spam is sifted out, there are various spammish messages to distract me. Maybe even [...]


Uncanny Stories by May Sinclair

Section: The Criticess

May Sinclair is in danger of being lost under a mountain of critical essays; smothered by scholars of literature and psychoanalysis alike, apparently determined to claim her as one of their own; and dissected by biographers until every word on the page is weighted with biographical reference, no matter how tenuous.  Her fate is partly [...]


fine-line-logo-small