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	<title>editorial-consultancy.co.uk &#187; The Criticess</title>
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	<link>http://editorial-consultancy.co.uk</link>
	<description>The home of The Fine Line Editorial Consultancy</description>
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		<title>The Red, Red Rose</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/the-red-red-rose/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/the-red-red-rose/#comments</comments>
		<pubDate>Sat, 13 Feb 2010 20:09:37 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[symbolism]]></category>
		<category><![CDATA[tradition]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=620</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/the-red-red-rose/"><img align="left" hspace="5" width="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2010/02/red-rose-236x300.jpg" class="alignleft wp-post-image tfe" alt="" title="Blooming Red Rose" /></a>Since kindly Aphrodite spilt blood upon a white rose to aid her wounded lover, Adonis, a red rose has symbolised love everlasting – or a passing passion if it’s simply a flower and not a symbol of the life blood you would give to save a beloved. Biblically, it is a symbol of shame, of [...]]]></description>
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		<title>Romancing Traditions</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/romancing-traditions/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/romancing-traditions/#comments</comments>
		<pubDate>Sat, 13 Feb 2010 20:01:48 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[courtship]]></category>
		<category><![CDATA[romance]]></category>
		<category><![CDATA[tradition]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=623</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/romancing-traditions/"><img align="left" hspace="5" width="80" height="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2010/02/Image004-100x100.jpg" class="alignleft wp-post-image tfe" alt="" title="Image004" /></a>The card is bought, the flowers arranged, the champagne on ice, the restaurant is booked, the jewellery glitters, the perfume is sweet, and the chocolates so pretty in their heart-shaped gold-wrapped box.  You’ve done it: every tradition fulfilled, every symbol of a romance that time will not fade, and every token of love everlasting is [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Mythical Love</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/mythical-love/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/mythical-love/#comments</comments>
		<pubDate>Sat, 13 Feb 2010 19:22:49 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[halcyone]]></category>
		<category><![CDATA[myth]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=593</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/mythical-love/"><img align="left" hspace="5" width="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2010/02/Halcyone-by-Draper-300x206.jpg" class="alignleft wp-post-image tfe" alt="Halcyone by Draper" title="Halcyone by Draper" /></a>Mythical tales of love are many – countless, perhaps – and have a tendency towards the melodramatic at best and the tragic at worst.  In an attempt to remain in keeping with the celebration of love that is St Valentine’s Day, I searched the scores of mythological lovers for a happy tale.  The best I [...]]]></description>
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		<title>Uncanny Stories by May Sinclair</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/uncanny-stories-by-may-sinclair/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/uncanny-stories-by-may-sinclair/#comments</comments>
		<pubDate>Tue, 22 Dec 2009 13:14:21 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[female writer]]></category>
		<category><![CDATA[May Sinclair]]></category>
		<category><![CDATA[mystery]]></category>
		<category><![CDATA[short story]]></category>
		<category><![CDATA[supernatural]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=467</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/uncanny-stories-by-may-sinclair/"><img align="left" hspace="5" width="80" height="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2009/12/may-sinclair-e1282139838406-100x100.jpg" class="alignleft wp-post-image tfe" alt="" title="May Sinclair" /></a>May Sinclair is in danger of being lost under a mountain of critical essays; smothered by scholars of literature and psychoanalysis alike, apparently determined to claim her as one of their own; and dissected by biographers until every word on the page is weighted with biographical reference, no matter how tenuous.  Her fate is partly [...]]]></description>
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		<title>Rebecca by Daphne du Maurier</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/daphne-du-maurier/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/daphne-du-maurier/#comments</comments>
		<pubDate>Tue, 27 Oct 2009 12:14:55 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[Daphne du Maurier]]></category>
		<category><![CDATA[english writer]]></category>
		<category><![CDATA[female writer]]></category>
		<category><![CDATA[gothic]]></category>
		<category><![CDATA[romance]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=143</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/daphne-du-maurier/"><img align="left" hspace="5" width="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2009/10/daphne-du-maurier-237x300.jpg" class="alignleft wp-post-image tfe" alt="" title="daphne du maurier" /></a>Rebecca has been many things to many people.  To the reading public, it is a gothic romance and ferocious tale of jealousy, betrayal, and suspense.  To academics it is ripe with Freudian subtext – the younger second wife (daughter) longing for the affections of her husband (father), but envious of and intimidated by the first [...]]]></description>
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		<title>By Grand Central Station I Sat Down And Wept by Elizabeth Smart</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/elizabeth-smart/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/elizabeth-smart/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 13:22:46 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[canadian writer]]></category>
		<category><![CDATA[Elizabeth Smart]]></category>
		<category><![CDATA[fascination]]></category>
		<category><![CDATA[female writer]]></category>
		<category><![CDATA[muse]]></category>
		<category><![CDATA[obsessions]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=55</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/elizabeth-smart/"><img align="left" hspace="5" width="80" height="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2009/10/ElizabethSmart-100x100.jpg" class="alignleft wp-post-image tfe" alt="Elizabeth Smart" title="Elizabeth Smart" /></a>In August 1937 writer Elizabeth Smart walked into a London bookshop, opened a collection of poems by George Barker and fell in love.  By the time they met and began an affair three years later – resulting in the birth of four children, although he never left his wife – she was already so utterly [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Assumption of the Rogues &amp; Rascals by Elizabeth Smart</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/elizabeth-smart-encore/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/elizabeth-smart-encore/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 13:18:27 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[Elizabeth Smart]]></category>
		<category><![CDATA[female writer]]></category>
		<category><![CDATA[The Assumption of Rogues and Rascals]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=53</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/elizabeth-smart-encore/"><img align="left" hspace="5" width="80" height="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2009/10/ElizabethSmart-100x100.jpg" class="alignleft wp-post-image tfe" alt="" title="Elizabeth Smart" /></a>In 1940, Elizabeth Smart began an affair with the poet, George Barker, which she eternalized in its many agonies and seemingly far fewer ecstasies in By Grand Central Station I Sat Down and Wept.  Though Barker stayed with his wife, they had four children who Smart supported through journalism and advertising work in London before [...]]]></description>
		<wfw:commentRss>http://editorial-consultancy.co.uk/the-criticess/elizabeth-smart-encore/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Here to get My Baby out of Jail by Louise Shivers</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/louise-shivers/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/louise-shivers/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 13:14:28 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[female writer]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=51</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/louise-shivers/"><img align="left" hspace="5" width="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2010/02/Louise-Shivers-300x200.jpg" class="alignleft wp-post-image tfe" alt="" title="Louise Shivers" /></a>Every once in a while, a book comes along in which the pacing is so precise, the pitch so perfect, the language so measured, and the cast so beguiling that I am mesmerized and awed. Louise Shivers’ first novel, Here to get My Baby out of Jail appeared over twenty years ago and, when I [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Save Me The Waltz by Zelda Fitzgerald</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/zelda-fitzgerald/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/zelda-fitzgerald/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 13:03:01 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[Bits of Paradise]]></category>
		<category><![CDATA[female writer]]></category>
		<category><![CDATA[Zelda Fitzgerald]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=46</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/zelda-fitzgerald/"><img align="left" hspace="5" width="80" height="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2009/10/Zelda_Fitzgerald_portrait-100x100.jpg" class="alignleft wp-post-image tfe" alt="Zelda_Fitzgerald_portrait" title="Zelda_Fitzgerald_portrait" /></a>There isn’t a whole heap left to say about Zelda Fitzgerald.  Common consensus states she was a drunk, a Southern Belle, a madwoman, one half of the 20’s most garrulous couple, the definitive Flapper, and a writer, painter, and dancer frustrated at every turn by some wider desire for conformity and the professional jealousy of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Claiming of Sleeping Beauty by A. N. Roquelaure</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/a-n-roquelaure/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/a-n-roquelaure/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 13:00:30 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[female writer]]></category>
		<category><![CDATA[The Claiming of Sleeping Beauty]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=44</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/a-n-roquelaure/"><img align="left" hspace="5" width="80" height="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2009/10/200px-Anne_Rice_by_Becket_Ghioto-e1282149877192-100x100.jpg" class="alignleft wp-post-image tfe" alt="" title="Anne_Rice_by_Becket_Ghioto" /></a>Porn is posh.  It is not explicit or pornographic: instead it is “libertine philosophy” (review of The Sexual Life of Catherine M in the Times Literary Supplement, no less).  It does not need to be concealed from wives and servants (see Mervyn Griffith-Jones’ Opening Address for the Prosecution in Lady Chatterley’s Trial).  It “exemplifies the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Portable Dorothy Parker</title>
		<link>http://editorial-consultancy.co.uk/the-criticess/dorothy-parker/</link>
		<comments>http://editorial-consultancy.co.uk/the-criticess/dorothy-parker/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 12:58:41 +0000</pubDate>
		<dc:creator>The Criticess</dc:creator>
				<category><![CDATA[The Criticess]]></category>
		<category><![CDATA[Dorothy Parker]]></category>
		<category><![CDATA[female writer]]></category>

		<guid isPermaLink="false">http://editorial-consultancy.co.uk/?p=42</guid>
		<description><![CDATA[<a href="http://editorial-consultancy.co.uk/the-criticess/dorothy-parker/"><img align="left" hspace="5" width="80" height="80" src="http://editorial-consultancy.co.uk/wp-content/uploads/2009/10/Dorothy_parker-100x100.jpg" class="alignleft wp-post-image tfe" alt="Dorothy_parker" title="Dorothy_parker" /></a>I have a very learned friend with a passion for 20’s literature and a PhD in Psychoanalysis and Modernism’s Departure From Femininity.  She got married a little while ago and, appropriately, had a fabulously 20’s themed wedding with flapper dresses and tables named after the era’s most famous writers.  I was put on the Algonquin [...]]]></description>
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